So I just export a raw composite image and play with sliders to get nice tints to go with the almost black skies and very white clouds and foliage. Going one step further, if I were to put a 720nm IR pass filter on the lens then the converted image will look horrible the standard for non-Foveon cameras is to do channel-swapping in post but that doesn't work for a Foveon image. ![]() Here's another play with FastStone's color, hue and saturation sliders, just for grins: By Libraw In essence, RawDigger is a microscope of sorts that lets you drill down into the RAW by means of visualizations, histograms, and statistics over selections and samples. RawDigger is a tool allowing to view, study, and analyze pure raw data. Non-reflective stuff like brickwork and anything shaded tends to look roughly "OK". All LibRaw Products and Bundles - 25 off. Intense sky and red or red-orange foliage. The colors in my second image are what most full-spectrum shooter seem to favor. So with a full-spectrum, meaning 300-1100nm, image the final image colors can be anything you want them to be. Mainly due to the IR exciting the Foveon layers and a bit due to near UV exciting mainly the top layer. The moment you take the IR blocking filter out of the camera all colors become false. Is the second scene a little too red now? I'm looking at the sky colour. With firmware 2.0 now available, we've reviewed the fast-shooting stills and video camera designed to win-over Nikon's professional DSLR users. Perhaps a pace to the right in the first shot? The Nikon Z9 uses a stacked CMOS sensor to power its first pro-level mirrorless camera. I had another version with a much bluer sky and yellow leaves but this is a little more "conventional" for full-spectrum work.īoth shots were hand-held with the Sigma 18-200mm Mk II (not the latest 'C' model).Ĭomments are welcome. Processed in RawDigger - exported as RGB TIFF - seriously messed with in FastStone Viewer to enhance that heavy red cast. The tree is about 30 ft tall but the property is so overgrown that it's not possible to shoot the classic dead-tree-in-a-big-field-or-desert composition. Once it had full sun on it against dark storm clouds - wow - but the moment was fleeting and cameras were nowhere near :-( This tree is always well-lit and catches my eye whenever I walk down the driveway. The Sigma SD1M 'Standard' color mode tends to give cyan skies and their 'Foveon Classic Blue' color mode is way over the top in blueness. ![]() Like the Monty Python parrot, this one is definitely dead: ![]() RawDigger is more precise than any exposure meter for the purpose of evaluation of the uniformity of fill light and reproduction light setups (in terms of the evenness of both color balance and luminosity across the background).Continuing the theme of afflicted trees and Andre's 'denuded' series:. ![]()
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